From a design perspective, the Sony Cyber-shot DSC-T2 is a breath of fresh air, integrating 4GB of memory in the camera, replacing awkward buttons with a sensuous touch screen, and wrapping the whole package in an elegantly sculpted aluminum frame the size of a small pack of cards.
Automatically organizing your image collection by date and frequency within the date, it also provides a unique playback mode inspired by scrapbook design. And it’s no slouch when it comes to performance, obliterating prefocus shutter lag, and significantly reducing full-autofocus shutter lag.
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The Samsung L830 offers a strange mix of photographer-friendly controls, middling performance, and disappointing picture quality. Its slow shooting and poor pictures at higher sensitivity settings seriously hurt the camera’s flexibility, but its generous set of manual exposure and color controls give you plenty of ways to tweak your low-ISO shots.
Considering its scant price tag, the L830 offers a lot of camera for experienced, budget-minded photographers. If you ever need to shoot at ISO 400 or higher, though, look for another camera.
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The K10D is not a top performing DSLR, though it offers a competitive design and feature set deserving of comparisons to these models. At its reduced price, the K10D brings an advanced DSLR into the realm of general consumer affordability, and provides an economic alternative for seasoned shooters on a budget.
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Given a rating of 7 out of 10, it’s not easy for a camera company to make a small, good-looking camera that takes nice pictures. There always has to be a tradeoff when you try to cut costs. In this case, Pentax seems to have traded some time between shots in favor of a long zoom lens and nice, if not stellar, image quality. As long as you don’t mind the wait, you might be surprised with the images you get from the Optio Z10.
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Panasonic’s Lumix DMC-L10 was a welcome surprise. It was announced with none of the fanfare that accompanied the Lumix L1, but the Panasonic L10 is the one truly worthy of praise.
It’s built right, works well, looks competent, and has an excellent, more affordable optic. There are some limitations in the sensor or image processor that affect JPEG image performance, but RAW images are quite good. The JPEGs that are unaffected by the odd blue speckles (which we’ve only found in blond hair under incandescent light) print very well, making good quality 13×19-inch prints. If you shoot and print RAW images, 16×20-inch prints are within easy reach.
The Panasonic L10’s light weight and excellent grip make it easy to hold, and the buttons are arrayed nicely for easy access. The promise of Live View mode is fulfilled with the addition of two important features on the Panasonic Lumix L10’s implementation: a swivel screen and contrast detect autofocus. Yes, the shutter lag is still long, but so long as you can plan for it, you’ll learn to appreciate the versatility that the Panasonic L10’s Live View delivers.
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